Mary Riepma Ross Film Theater
University of Nebraska, Lincoln
Hixson-Lied College of Fine & Performing Arts

June 20, Thursday

ADMISSION:
Evening
$9.50 Adults
$7.00 Students
$7.00 Children
$7.50 Military
$7.50 Seniors
$6.50 Members

Matinee
$7.50 Adults
$6.50 Students
$6.50 Children
$6.50 Military
$7.00 Seniors
$6.00 Members

Children are 12 and under, Seniors are 60 and older

Students and Military must show a valid ID to receive discount

We accept cash, check, NCard, Visa, and Mastercard

Box Office Opens 30 Minutes Before Showtimes


RATINGS:
Many of the films shown at The Ross are not rated due to the prohibitive cost of acquiring a rating from the Motion Picture Association of America. Consequently, as many of these films contain graphic content, viewer discretion is advised.

LOCATION:
313 N. 13 STREET
LINCOLN, NEBRASKA




The Nebraska Arts Council, a state agency, has supported the programs of this organization through its matching grants program funded by the Nebraska Legislature, the National Endowment for the Arts and the Nebraska Cultural Endowment. Visit www.nebraskaartscouncil.org for information on how the Nebraska Arts Council can assist your organization, or how you can support the Nebraska Cultural Endowment.
5 BROKEN CAMERAS
Visit the Official Website
 
5 BROKEN CAMERAS
Directed By: Emad Burnat, Guy Davidi
Runtime: 1 hour, 30 minutes
Rating: Not Rated
Distributor: Kino Lorber
Country: France, Israel, Palestine
Release Date: May 30, 2012
With: Emad Burnat, Soraya Burnat, Mohammed Burnat, Yasin Burnat
Hebrew | Arabic with English Subtitles

Synopsis
An extraordinary work of both cinematic and political activism, 5 BROKEN CAMERAS is a deeply personal, first-hand account of non-violent resistance in Bil'in, a West Bank village threatened by encroaching Israeli settlements. Shot almost entirely by Palestinian farmer Emad Burnat, who bought his first camera in 2005 to record the birth of his youngest son, the footage was later given to Israeli co-director Guy Davidi to edit. Structured around the violent destruction of each one of Burnat's cameras, the filmmakers' collaboration follows one family's evolution over five years of village turmoil. Burnat watches from behind the lens as olive trees are bulldozed, protests intensify, and lives are lost. “I feel like the camera protects me,” he says, “but it's an illusion.” —©Kino Lorber



“[5 BROKEN CAMERAS is]...partly a piece of advocacy journalism. But it is also a visual essay in autobiography and, as such, a modest, rigorous and moving work of art.”—A.O. Scott, New York Times

“What makes 5 BROKEN CAMERAS stand out is its insistence on nuance and its refusal to get caught up in the self-defeating war of words over who is the bigger victim.”—Ella Taylor, Village Voice

“Takes the rough material of one man's life and transforms it into a story that is universal and urgent, offering firsthand witness to events that are too often portrayed as distant and impossible to understand.”—Ann Hornaday, Washington Post



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